"The two stories during the Dalton era were two of the most *personal* Bond stories -- they were far less about the evil plot he was up against and more about Bond's personal loyalties (to Pushkin, to the murdered British agents, to Felix) and the loyalties of others (notably, Felix and Q), not to mention personal betrayal (Koskov) -- LTK alone is an almost unending series of betrayals and retributions amongst Bond, Sanchez, the CIA, and Sanchez's organization.

Incidentally, Bond's not fighting the war on drugs in these two films -- he's fighting the men themselves, although drugs happen to be the way they finance their operations (as was also the case with Kananga and Kristatos). In both cases, the fact that he upsets a drug empire is incidental -- what he's after is revenge for the killing of 00 agents (TLD) and the personal attack on Felix and Della (LTK).

It's interesting that of the first 16 Bond films, the 3 most personal ones were Lazenby's and Dalton's. The Bonds of Connery and Moore, for all their differences, were both larger than life and emotionally unapproachable. It took Lazenby to give us a vulnerable Bond, and Dalton to give us a wrathful Bond.

Although Tim wasn't my favorite, he did tighten the focus on the character and gave the series a much-needed break from stainless-steel megasets, world-domination schemes, and endless hordes of gun-toting henchmen. It was a transitional period for both Bond and the world in general, and if nothing else, the series got smarter and grittier during Dalton's tenure.u"

Thats Ture And Bond Did Get Smart And i just finish watching every ep of Get Smart.

But That Was Ture He Did Make Bond Smarter And He Way Of Playing Bond Let Brosnan And Craig Be Dark As Bond

The Bond Flims I Cryed While Watching

OHMSS--- At The End Where The Wife Got Shot
Octorpussy--- I Dont Know How I Cryed In That one But I Did
The Living Daylights---^^^^
LTK-- Somehow I Cryed In The Shark Part
Die Another Day--- GIVE ME THE F*** CAR STOP DROPING IT FROM CARS DUMMY BOND WHO WOULD OF BEEN A STUNT MAN OR CGI ANI

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